SYNCHRO ARTS VOCALIGN PRO V4 PROFESSIONAL
The menu also contains a recent folder that saves menu searching for those making heavy use of VocAlign Ultra.Īutomated processes in audio production can be a touchy area for many, especially when areas of skilled efficiency become a source of professional pride. Whether it’s being used on lead vocal stacks or ADR production, the main bases are covered, with more extreme needs catered for in sub-folders. VocAlign presents a situation where even the most preset averse are best served by starting with the well-curated menu. This function is especially convenient when working on vocal stacks that have occasional harmonisations or rhythmic syncopations. Besides sync editing, the user can also set protected areas on the Dub that are spared from timing/pitch processing.
These advanced tools only become necessary when the source material possesses major divergences, such as heavy breaths between words or phrases. In advanced mode, the displays permit you to add and edit sync points to adjust the algorithm’s assessment of the timing relationship between the Guide and Dub. In all three modes, there are vertical and horizontal zoom sliders and an easily navigable timeline. This display can switch to show the pitch variation of the three signals or their energy levels. Output overlays the adjusted Dub with the outline of the Guide, updating as you change parameters. The majority of the scalable interface is given over to three waveform displays: Guide, Dub and Output.
Naturally, there is also a world of editing possibility lurking just a few clicks away when the interface is switched from Basic to Advanced. Then, once the preset is selected, and the Guide and Dub are hooked up, it is mostly a case of tweaking the Match Timing and Match Pitch knobs to achieve the required tightness.
SYNCHRO ARTS VOCALIGN PRO V4 FREE
The GUI is relatively unfussy, free of endless options and spurious controls. Both methods are quick to set up, but the algorithm dictates how much faster and better this semi-automated approach to vocal stack editing is. It only needs to be redone if audio events are moved or edited in the DAW.
VocAlign can build up a patchwork across the timeline as you work on sections. The plug-in then needs to be played the Guide and Dub parts in real time to gather the necessary data, though you needn’t do this in one long stripe. The near-ubiquity of the sidechain function makes this approach possible across almost all DAWs. The second method has the user place the VocAlign plug-in on the Dub track and select the Guide track as the sidechain input. Pro Tools has a similarly slick AudioSuite implementation that doesn’t need you to play audio into the plug-in, either, which can make processing extremely fast.
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